q The Look: At present giclee prints
can rival the quality of originals, especially for all watercolors and oil
paintings not so heavy textured. It has an excellent color and detail rendition
capability which is a far cry from traditional lithograph (poor detail
rendition) and serigraph (poor color dynamic range) technology.
q The Life: Giclee printing use
pigmented-based ink that is highly stable and has colorfastness over 100 years
under display light.
q The size: With large format printer,
one can normally reproduce artwork with width up to 50 inches and length at
virtually any size.
q The acceptance: giclee prints are widely
accepted by collectors, general households and museums. [1]P‡
q Modern printer technology, such as EPSON
9600,
its printhead can spray 6 million droplets per second on the substrate. Each
droplet of ink is about the size of a red blood cell. Multiple droplets, in 30
various sizes, are overlaid to create a beautiful continuous tone reproduction
q Latest software
development in imaging processing such as Photoshop.
q Archival grade ink which has a colorfastness
index more than 100 years, e.g. [1]P‡ Ultrachrome™
pigmented inks
q Print Media: modern researchers have
developed excellent quality media for giclee printers. A wide selection of
media is now available, including those for watercolors, oils and those for
brush paintings; e.g. EPSON Canvas.
1.
How big is the fine art Giclee print market?
Giclee
prints are big news in the USA. In the fine art business they have taken over
from lithographs and screen prints as the dominant and preferred way for
artists, galleries and publishers to make reproductions and prints. The growth
in the American giclee market has been phenomenal (more than 70% over the past
5 years) while the traditional print methods have stagnated. It has been
reported that on average over 50% of [1]P‡ the gallery income
are now coming from giclee print sales.
To learn more about Giclee prints, please click Q&A here.